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The instantly absorbing and actually scary Host, from British filmmaker Rob Savage, is exactly what these strange times demand: a Zoom horror movie. Released last month exclusively on the Alejandro kirk fan club shirt Additionally,I will love this streaming service Shudder (and well worth signing up for the free trial to see), Host depicts a séance conducted by six friends on COVID-19 lockdown who try to summon the spirits via Zoom. Quickly things go bump and boo and then bloody in the tiny squares of their grid. The entire film (only 57 minutes!) is seen through the Zoom interface and is appealingly naturalistic, with effective scares, and yes, it’s derivative (paying homage to movies like The Blair Witch Project and 2014’s Unfriended), but I guarantee this is the most gripping, diverting hour you’ll spend on Zoom this year. By now you’ve probably heard about the HBO documentary on NXIVM, the bizarre self-help organization that made headlines following the arrest of founder Keith Raniere for sex trafficking, racketeering, and other charges in 2018. Those headlines screamed “sex cult” and led with salacious details of attractive, seemingly successful female NXIVM members branded with Raniere’s initials and submitting to sex rituals. The Vow, directed by Jehane Noujaim and Karim Amer, unpacks many of these stories and introduces you to people involved who left NXIVM and led an effort to expose it. It also paints a nuanced picture of what went down inside the organization, which at one time had thriving branches around North and South America (and counted Allison Mack, of TV’s Smallville, and Seagram heiress Clare Bronfman, as committed members, both of whom have plead guilty to charges stemming from their involvement). Was the branding and the sex coercive? Who exactly was exploited and what made the preeningly nerdy Raniere such a magnetic leader? With nine hour-long episodes, two of which have already aired, The Vow is one of those sprawling, fascinating, and definitely overstuffed documentaries that have come to define the streaming wars era (Tiger King, The Last Dance, The Devil Next Door, Wild Wild Country). My wife and I have gorged on press screeners HBO sent, watching ahead all the way to episode eight and our reaction has been equal parts rapt attention and total frustration. NXIVM is certainly a case study in the dark side of self-improvement, and The Vow reveals Raniere to be a narcissistic bullshit artist of the highest order, adept at exploiting insecurities and seemingly rapacious in his sexual needs. But eight hours in, I’m still not completely sure I have the full picture of what this “cult” was up to or what crimes were committed or why so many people were swept up for so long. Perhaps all will be revealed in the finale—due to air on October 18—and I will definitely be watching. —TA

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In his music, Frank Sinatra sustained and stretched his lyrics, drawing out a word as though he was simmering them over his jazzy melodies. His career would have a similar endurance—lasting a remarkable half of a century with highs, lows, a few comebacks, and a couple of farewells. The story of his life and legacy is told in Frank Sinatra: All or Nothing at All, which was first released in 2015 on HBO as a four-hour, two-part documentary. Directed by Alex Gibney, it made its Netflix debut this summer. Watch for footage of a waifish young Sinatra in his hometown of Hoboken, New Jersey, memories from his long list of glamorous lovers (Nancy Sinatra, Ava Gardner, Mia Farrow, and even Lauren Bacall), a look at his less savory associations with mobster Sam Giancana, and his friendships with the Alejandro kirk fan club shirt Additionally,I will love this Kennedys (Sinatra even built JFK a room at his home in Palm Springs, California). The documentary unfolds like an autobiographical discography of his work—each song tells of a moment in his life—and a viewing will have you singing Sinatra for days after. When the aliens descend and try to make sense of what the humanoids were thinking during this dark chapter of our recent history, I truly believe that Jordan Firstman will be their most effective guide. The filmmaker, actor, and writer has become a pandemic hero to many, capturing the unbelievable-and-yet-it’s-happening horror of our recent reality through his “impressions,” which are more like Dada theater delivered in hysterical bite-size Instagram postings than anything normally animating your social media feed. See, for example, his interpretation of “the coder who is responsible for the simulation we are living in in 2020” or someone “addicted to say that quarantine isn’t that different from his normal life.” (Remember that? Still feel that way six brutal months in, buddy?) The pandemic has exploded mediums: Plays are being staged on on Zoom; the New York Philharmonic is cruising the city in a pickup truck—and never have I been so content to abandon any my preconceptions about where entertainment should reside as when I’m watching Firstman. He’s an entertainer of the first order, no matter how you’re watching him. —Chloe Schama

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